Showing posts with label portraits. Show all posts
Showing posts with label portraits. Show all posts

Monday, May 13, 2013

The (untitled) Photograms

As my year of vigorous study with master printer Chuck Kelton and gallerist Alison Bradley winds down, my work begins to come into sharp focus. It's been an incredible time of discovery and growth and bloody hard work, and I'm excited to give you a small glimpse of some of the newest work. 

These pieces are one of a kind life-size photograms made with my body and layered with text, words reflecting upon the experience of the human body. They work in conjunction and expand upon the ideas within my previous portfolios "This Is You, This Is Me"(2012) and "I Am Body"(2010) but I feel they are more direct due to there being no camera involved. They speak more to physical presence and the impressions and marks we leave as we make our way forward.

This body of work is not finished,  but I have reached a place at which to pause before moving on to the next chapter. In some ways I feel the story is only beginning, but it is exhilarating to find myself venturing down my path less travelled. Nevertheless, I still have a few loose ends to tie up on those already made. They will be toned in gold and each is to be given a title. This will all be done just in time for our final class presentation at the end of the month.










  All images © Claire Gilliam



Thursday, July 26, 2012

On Reflection - All Things Must Pass


2012 has been a strange and curious year so far. In the very first three months, I experienced what could surely be considered every emotion under the sun, and intensely so. Shock, worry, stress, uncertainty, grief, joy, hope, death, loss, love... I felt it all. It was a roller coaster ride from which there was no way off. I had no choice but to hold on tightly to my conviction that I would make it to the end in one piece. Sometimes though I had my doubts, I did wonder how I would come through it all. I am still wondering but with less apprehension then three months ago when it seemed as though a huge part of my life had come to an end and all I felt was a massive void.

Towards the end of January, after having just returned from the UK for the Christmas break, I received the dreaded phone call I knew would come one day to tell me that my grandmother, who had raised me as her daughter since I was a baby, had fallen gravely ill. The prognosis was not good and she wasn't expected to live through the night. There is something dreadful about taking a long distance flight in these emergency situations, wondering if upon landing you've made it in time. I could hardly look at my uncle's face as he stood waiting for me in the Arrivals lounge the very next day. I knew his expression would tell it all with one swift glance and I didn't want to know. It was alright for the moment but that was only to be the start of it. My mum was an extraordinary woman who turned out to have more strength in her then we could ever have imagined (which was already a great deal). She would confound the doctors' expectations who, on a weekly basis, would suggest that the end was close, we should prepare ourselves but who were proven wrong to the very last week of her life.


Rosalind

Winter months turned to Spring, a period of time (ten weeks in all) that exist in my memory as daily visits to St Helier Hospital, where my mum lay stricken and silent with the effects of her debilitating stroke. My sister and I formed a mantra of sorts to help navigate our way through the quagmire of emotion and stress we both felt. We'd say it to one another frequently throughout the day and with some urgency near the end when it was clear she was going downhill and we had to make the painful decision to withdraw the feeding tube keeping her alive in a nether land state of non-existence. It was simply this - 'step by step'. And by sticking to this philosophy, we found that we could gradually move forward and take in what was so impossible to bear. 




Bird

But the experience of journeying with my mum to the end of her life has left me changed as I'm sure it has for all my family. Images float unabated each day of a moment in time at the hospital, some beautiful like the extraordinary times my mum would seemingly come back into consciousness and realize her family were with her. She'd smile then, blow us kisses and roll her eyes in the way that was uniquely mum as if to say, look at this ridiculous situation I've found myself in. We'd laugh with tears in our eyes, finding hope and a belief that mum was still with us after all, just waiting for the day when she'd be unlocked from her damaged body. Others are more haunting such as any moment of her last days when her features shrunk and her face became that of someone else entirely; or the silent tears she let flow as her youngest grandchildren said their final farewells a few days before she died.  They are as vivid to me now as if it were yesterday. I don't mind... I am grateful that I could be there, feel the close connection with my family and experience as intensely as I did. I want to remember those precious days truthfully despite the pain that accompanies many of these memories.


Precautionary Measure

C-Block Corridor

The Last day

I took to taking a few photographs every now and again as I sat in her room or wandered down the hospital corridors to get yet another cup of coffee and panini from Costa Coffee. I felt I needed to capture those fleeting  moments of the way the light fell or a feeling felt. I snapped away on my iPhone, so this intense and surreal time could be frozen in time and stored for prosperity. I photographed in my mum's house too, my childhood home where a wealth of memories and experience are stored with in the walls. I was losing this too.


Final Morning at Sprucedale 


Leaving Sprucedale Gardens


Lately I've found myself thinking about George Harrison's well known lyric, 'All Things Must Pass'. The simplicity and the profound truth of these words seem particularly relevant to me this year. I am beginning to accept the loss of my mum and have a glimmer of understanding of how change, even unexpected and shocking change that feels like your world has been turned upside down, can be an impetus for moving forward. I have come to see that life in every facet is progression, it is never static and so it is in death too, cliched as this statement is...'There is no growth without change'. There is some comfort in this. Although it doesn't make the feeling of loss diminish completely, it does urge me to be open to new possibilities, think more creatively, to open my eyes more fully, listen more closely, be mindful of my past whilst thinking forward into the future and engage with the experience of living intensely.

All images © Claire Gilliam

Wednesday, October 1, 2008

Family Matters


A Memory of Susan Marshall, My Mother, With Her Family, C. 1970 (2008)


Rosalind Marshall, My Grandmother (2007)

Alan Marshall, My Grandfather (2007)


A Memory of the First Holiday Afterwards, C. 1978 (2008)



All images © Claire Gilliam

This past week has been spent preparing applications for Woodstock Center for Photography's annual 'Photographer's Fellowship  Fund Award', and juried competition 'Photography Now'. They are now out of my hands and awaiting the jurers at CPW. This is the first time I have entered work for any kind of award, and I found the process a bit nerve racking, and time consuming.....but it was worth all the effort, because even if I do not win, I have learnt many things, and realise that it is not so difficult after all just to go for it and see what happens!


The body of work I submitted for both awards was taken from "Family Matters', a project that I began working on last fall, and completed (stage 1) in March. Through the interweaving of text taken from the written recollections of my family, portraits of family members, and the reworking of old snapshots I put together a document that tells of one particular moment in my history. Its interesting to me because whilst it is an intensely personal body of work, that was painful for everyone involved, the collection as a whole begins to reveal the idea of truth and memory, and how this can shape one's life. Its a piece that I think, like my 'self portraits' I shall continue to work on......it is by no means finished! The images above a small sampling of the project.....and a poem which I wrote for the project

My memories of You
are sharp, acute.
I feel every moment lived.
Emotions Cut through my skin
Straight to my Heart.

My History is embedded with yours
Entwined and sculpted.
The 'I am' of me, always
Connected to you. By Chance
Circumstances.

One instant bringing change
Unforeseen but destined.
A Grey day sometime black night
Then Blue Sky heralding hope.
Your Gift to me.

No Earthquake could dismantle
My constancy and faith
In You. There, solid, and so strong, 
My kin stand facing outwards
Embracing Me.